Jean Valjean

Folks regularly ask me, "Are you having fun doing Les Misérables?" The answer is, "No, but in a good way." It's intense and requires a tremendous amount of focus and energy. It's physically and emotionally demanding. Do I thank God, pinch myself every day, and marvel at what a life-changing opportunity it is to play the coveted role of Jean Valjean in arguably the most influential and inspirational musical of all time? Absolutely. This all-star cast united actors from several surrounding theatres across several generations. Les Miz is a phenomenon, and this company is phenomenal. It's an experience audiences will never forget.


Community Theatre

Director Pamela Livingstone and I discussed the Tonys over a drink last night, and she reminded me of a conversation we've had many times about community theatre. Pam was a professional actress, ran and directed pro theatre, and chose to commit her life/career to community theatre. I toured musically/professionally for 15 years. We both agree that community theatre passion is much easier to tap into, on and offstage. She puts it much more eloquently, but that passion is the biggest reason we do what we do. Long story short, when you get to a professional level, it too often becomes a job and "what's the next job," not for all, but for many. It became that way for me, and I came close to hating it. When you hit your 1,000th performance of something, the awe and discovery become harder and harder to find. You can see it in the eyes. It's still great, but not quite the "hit it and quit it" passion we get to deliver as a temporary company. What becomes disappointing for us is that our expectations of these pros become that much greater. Lots of folks who saw various touring productions of Les Miz experienced this contrast when they saw our production. As much as I didn't want Les Miz to end, there's beauty in finishing strong and walking away from it. I have good friends who tour. They'll do 1,000 performances of one show. I tease them because we get to do more of a greater variety of shows. For every 1,000 performances of "X" they do, we might do four or five different productions in that time period. I love it. We ARE professionals. We're just "temps."


Daddy Valjean
May 30, 2014

"I saw Colm Wilkinson in the original run on Broadway. You were better."

"I've seen Les Miz in four cities across 15 years, and you're by far my favorite Valjean."

I'm so incredibly surprised, grateful, and humbled by the various feedback I'm personally getting, but this takes the cake..."

Daddy, you were my favorite. You're my hero."


Valjean Trivia

Who Am I?
May 22, 2014

"Jean Valjean": Birth Name.

"24601": Prison number in the Toulon prison.

"Monsieur Madeleine": Name adopted when he became mayor of Montreuil-sur-Mer.

"9430": Second prison number he's given when captured and imprisoned on his way to secure Cossette from the Thenardiers. He later escapes from a sailing vessel.

"Urbain Fauchelevant": Name adopted while hiding in a convent with Cossette (between little Cossette and big Cossette).

"Urbain Fabre": Alias used through the rest of the book.

"Monsieur Leblanc": Nickname given to Valjean by Marius because of Valjean's white hair.

#246info1


Bring Me Home
May 21, 2014

Valjean Trivia... Why does Eponine help usher Valjean to heaven when they've no personal relationship? Eponine & Fantine usher Valjean to heaven, yes, but Fantine is equally there for Cossette, as Eponine is there for Marius, as both experience the greatest loss of their lives. In the end, it's about Cossette & Marius as much, if not more than it is about Valjean, just as Valjean would want it to be. #246info1


Epilogue
May 21, 2014

Valjean Trivia... Why does Valjean die? Well, first of all, he's in his 60's in the end, which is old for the time period. Romantically, he loses the will to live. Mission accomplished. He finds peace. Technically, Tom Hooper, director of the film, believes Valjean's health takes a turn for the worse because the ol' boy contracted any number of things having dragged Marius through the sewers. #246info1


24601
May 17, 2014

How could two different men bear the brand of 24601? Turns out, Claude, one of the men who worked beneath Javert, branded/framed the "imbecile" Pierre, Christmas prior, waited for the burns to heal into scars, and then went back to arrest him, with the false story about having seen the number "24601" on the man's chest?

Some argue out of loyalty to Valjean (aka the highly esteemed Monsieur Madeleine) or, in Javert's words, "desire for my approval, and his unspoken-yet-obvious desire for promotion, could have motivated him to deliberately arrest the wrong man." For more, here's the passage... m.fanfiction.net/s/5588906/1/The-Brand


Hugo is Valjean is Javert is Vidocq
April 10, 2014

Eugene Vidocq, whose career provided a model for the character of Jean Valjean AND Javert. Two characters born of one historical figure.


Before and After

I'm Jean Valjean
March 14, 2014

Thank you all for the congrats. I was in awe of all the auditionees. Callbacks with such remarkable talent & skill were reward enough. #2460stunned


Strike
June 1, 2014

Jean Valjean requested nothing engraved, but it's revealed that someone wrote words in pencil on his gravestone that later washed away. There are many translations. Please allow me to pluralize and amend one with respect to our company and this life-changing experience. "We sleep. Although fate was very strange to us, we lived. We died when we lost our angels. The thing came to pass simply, of itself, as the night comes when day is gone." Thank you. I love you all. #2460done

Jeff Hartman, Artistic Director

Jeff Hartman

Father of four, Husband of one; ASU Alumnus (Advertising/Theatre/Music); Singer/Songwriter, Film Composer, Actor, Director, Multi-instrumentalist, Published Author, BMI Writer; 30 years Touring, 30 years Acting/Directing; Artistic Director for Hickory Arts

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The Last "17" Years